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The full reference for scheduling in Kalendar. Covers the Timeline (Gantt) view, per-press capacity, how run-time is estimated, the Kadence Insights panel, and how Run Kadence drafts your week automatically — without overbooking.
The Timeline (Gantt) and the Calendar grids
Open Kalendar from the dashboard sidebar. It fills the whole window and gives you two modes that share the same jobs — switch between them in the top bar at any time.
Timeline (Gantt)
Each press (or operator) is a row; each job is a horizontal strip against the clock. The strip's length is its run-time. Zoom Day (hour-by-hour), Week, or 3-Week. A red NOW line marks the current time.
Calendar
The familiar grid: Month, Week, Day, Agenda (a chronological list), and Year (a heat-map — click any day to load its jobs in the side panel).
The Timeline's visible hours come from your shop hourssetting, and a live clock in the top bar counts down to close. Set your hours so the board matches when your floor actually runs.
Each press has its own daily minute budget
Every press has a daily run-time budget in minutes. As you schedule runs onto a press, their estimated run-times draw down that day's budget. Kalendar shows the result as a Load bar on each press row, and as a per-day capacity bar in the Week and 3-Week grids.
Plenty of room — safe to schedule
85%+ · turns amber, room for a short run
100%+ · turns red · rebalance or overtime
Default per-press budget: 480 minutes (an 8-hour shift). A changeover buffer is reserved between consecutive runs on the same press to account for wash-out, re-registration, and ink swaps — so the schedule reflects real turnaround, not just print time.
The color language is the same everywhere in Kalendar — green is open, amber (85%+) is heavy, red (100%+) is overbooked. You'll see it on the row Load bars, the per-day cells, and the Shop Capacity gauge in the Insights panel.
By decoration method, quantity, and color count
Kalendar estimates each job's run-time from its decoration method, quantity, and screen/color count, then blocks that much time on the press. That estimate is what draws from the press's daily minute budget.
Screen Print
Jobs: Setup per screen + a per-garment print rate
(qty × print rate) + (screens × setup)
Heat Press / DTF
Jobs: A per-transfer rate across the quantity
qty × per-transfer rate
Embroidery
Jobs: A per-piece stitch-out rate
qty × stitch-out rate
See it on the job
Jobs: Open any job for its estimate breakdown
setup vs. run, with the formula shown
Example — 100 shirts, 4-color screen print
When your crew runs production timers on jobs, Kalendar compares the estimate to the real recorded time and surfaces the gap in the Insights panel's Est vs actual tile — so your estimates (and your quotes) get truer over time. You can also open a job to see its setup-vs-run breakdown.
Direct manipulation on the Timeline
Scheduling in Kalendar is direct. You move a job by dragging it, and you change how long it's blocked for by dragging its edge. Everything saves instantly and capacity recalculates on the spot.
① Drag a strip to reschedule
Grab any job strip on the Timeline and drop it on a different time — or a different press / operator row to reassign it. Times snap to 15-minute increments.
② Drag the edge to resize the run
Grab the right edge of a strip and drag to lengthen or shorten how long the run is blocked for. The strip grows or shrinks and the run-time updates.
Overlaps resolve themselves. If two runs would collide on the same press, Kalendar ripples the later one down so nothing double-books.
③ Prefer a grid? Use Calendar mode
Switch to Calendar mode and place jobs by day in Month/Week/Day view. Same jobs, same capacity math — just a different layout.
A long run that won't finish in one day spans across days automatically — the strip continues onto the next production day instead of overflowing off the edge of the board.
Balance machines, then balance people
In Timeline mode, flip the rows between Presses and Operators. Group by press to balance machine load; group by operator to see each person's day. Dragging a job to a different operator row reassigns it to that operator.
The filter bar narrows what you see without losing anything: toggle individual presses, filter by priority (All, Rush+, Hot), and show or hide job stages with the Status filter (there's a one-click "Hide done"). Search by job number, customer, or title to jump straight to a run.
Your shop's vitals, live, for the period in view
Open the Insights panel with the gauge button in the top bar. It reads your shop at a glance for whatever range is on screen — so you can see trouble before it lands on the floor.
The Est-vs-actual number is powered by real production timers. The more your crew runs timers, the sharper Kalendar's estimates become — which feeds straight back into more accurate quotes.
A first draft you stay in control of
Don't want to place every job by hand? Click Run Kadence (in the filter bar, or at the bottom of the Insights panel). Kalendar drafts a schedule for your unscheduled backlog and shows it as faint "ghost" chips — review before anything commits.
Run Kadence at the start of each week after entering new jobs. It gets you most of the way in seconds, so you spend your time on the judgment calls instead of the data entry.
Everything about a run, without leaving Kalendar
Click any job — on the Timeline, in a calendar cell, or in the Insights panel — to open its detail. It shows the production pipeline (done / current / next), the run-time estimate broken into setup vs. run (with the actual recorded time once a timer has run), the print locations with their ink colors, and the schedule and delivery details. Down the side is a live communication rail.
From the job detail you can change status, advance the job to its next stage, or jump to the full job — all without leaving Kalendar.
Shop hours, production goals, and your presses
A few settings make Kalendar reflect your real shop. Set them once and the board, the live clock, and the Insights numbers all line up with how you actually run.
Key settings
Draws the Timeline's working window and powers the live clock countdown in the top bar. Set these to your floor's real shift.
Your target finished pieces per working day. Powers the 'Output vs goal' tile in the Kadence Insights panel.
Add your presses (name, type, daily minute budget) and operators so the Timeline rows, capacity bars, and Run Kadence all reflect your real equipment and crew.
Per-press daily minute budgets default to 480 minutes (an 8-hour shift). Raise or lower a press's budget to match its real available hours.
Kalendar warns — it never blocks
Overbooking is allowed — a rush job sometimes has to bust the limit. When a press goes red for a day, Kalendar shows it but leaves the call to you. Here's a practical way to rebalance:
If a press is at 100% for a day and you need to add another run, you have three real options: push it to the next day, authorize overtime, or move it to a press with headroom. The red bar is your cue to make that call — there's no automatic resolution.
Kalendar overview
Every view and control in Kalendar, start to finish
Production Queue
Kanban board view of all in-progress jobs by status
Still have questions about your scheduling setup?
Our support team understands screen printing workflows. We can help you configure Kalendar for your specific equipment, crew, and shift schedule.
Contact Support